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Urze

by Diceros

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1.
Urze 48:22

about

Live recording by Miguel Azguime on January 18th 2017 at O'culto da Ajuda, Lisbon.
Mixed by Ernesto Rodrigues.
Master and graphic design by Carlos Santos.
Production by Ernesto Rodrigues.

REVIEWS

Diceros, a mais recente formação de Ernesto Rodrigues, surge igualmente com o formato de octeto decidida para “Porto Covo”, mas com objectivos menos programáticos e com colaboradores da VGO e do IKB que habitualmente não encontramos no Suspensão. Em “Urze”, o violetista surge, inclusive, com outras ferramentas, designadamente harpa (repetindo a escolha de “Quasar”), cítara, dulcimer e rabeca. Há, de qualquer modo, algo que se transfere do Suspensão (os “drones”) e deparamo-nos com versões de algumas particularidades das bandas mais largas (as oposições, por exemplo), como se esta fosse um “redux” daquelas. Aliás, o substantivo Diceros e a imagem do rinoceronte na capa remetem-nos para a “cover art” do IKB, criada, à semelhança da generalidade das edições da Creative Sources, por um dos mais fiéis parceiros de Rodrigues, Carlos Santos – que desta feita não toca. Rui Eduardo Paes (Jazz.pt)

An extended improvisation of mostly quiet, occasionally cantankerous, but always intriguing free music, primarily acoustic playing with a strong cast of string players, plus reeds, keys, and computer, creating suspenseful music of great tension and impressive restraint as the sound evolves in gradations and facets of sound. (Squidco)

credits

released January 18, 2017

Ernesto Rodrigues - harp, zither, dulcimer & rebec
Andre Hencleeday - piano & psaltery
Guilherme Rodrigues - cello & pocket trumpet
Flak - acoustic guitar
Paulo Curado - flute
Bruno Parrinha - soprano, alto & bass clarinet
Ricardo Guerreiro - computer
Carlos Godinho - percussion

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tags

about

Ernesto Rodrigues Lisbon, Portugal

Ernesto Rodrigues (Lisbon, August 29th 1959) has been playing the violin / viola for 50 years and in that time has played all genres of music ranging from contemporary music to free jazz and free improvisation, live and in the studio.
The relationship with his instruments is focused in sonic and
textural elements as well as the use of extended techniques.
... more

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