← more from
Creative Sources Recordings
We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
supported by
jorjazz
jorjazz thumbnail
Ernesto Diaz-Infante
Ernesto Diaz-Infante thumbnail
David Morrissey
David Morrissey thumbnail
/

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €10 EUR  or more

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Aeon via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      €13 EUR or more 

     

  • Full Digital Discography

    328
    releases

    Get all 328 Ernesto Rodrigues releases available on Bandcamp and save 50%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Free to Open, Live at Sonic Krause, Cosmic Collision, Xafnikes synantiseis, Whispers and Reveries, Impulses and Signals, Mars Reveri, A tale unfolds, and 320 more. , and , .

    Purchasable with gift card

      €1,000 EUR or more (50% OFF)

     

1.
Chronicle IV 07:56
buy track
2.
Chronicle VIII 04:20
buy track
3.
Chronicle III 06:56
buy track
4.
Chronicle V 04:54
buy track
5.
Chronicle I 04:10
buy track
6.
Chronicle II 03:59
buy track
7.
Chronicle VII 06:52
buy track
8.
Chronicle VI 05:57
buy track

about

Recorded in December 27th 2022, Alfarim.
Recorded, mixed and mastered by Flak.
Graphic design by Carlos Santos.

REVIEWS

Aeon — the most recent quartet album from Ernesto Rodrigues & Creative Sources, recorded late last month — presents a contrasting followup to Definitive Bucolic, a trio album (also recorded in 2022) reviewed here in July: The quartet adds Guilherme Rodrigues on cello to the previous three musicians, who all change instruments: Flak switches to acoustic guitar for Aeon, Bruno Parrinha is back on his more frequent bass clarinet (versus saxes), and Ernesto changes too (I guess to follow the switching theme), to violin. So it's obviously a more classical instrumentation, versus that (I'd already noted that) Definitive Bucolic can project something of a "pop vibe" (e.g. around electric guitar). Also I wrote about Definitive Bucolic because it yielded a distinct affective stance, while moreover noting its paradoxical sense of time, i.e. its "cyclical or self-referential temporal scheme." The latter notion is then explored further for Aeon, including as announced explicitly by the eight tracks (called "Chronicles") appearing out of numerical (& so recording?) order: These are apparently each intact acoustic tracks, so don't involve pop "cut up" technique in a "details" sense at all, although it's interesting to note that presenting tracks "out of production order" has become so common in this space (e.g. as in film production).... But the sense of contrast also does come off as intentional, the mysterious opening of strange clicks, twangs & rumblings — not so different from the sound world of Ekphrastic Discourse from the previous entry, including some unusual & recurring senses of quasi-vocal production as well... — yielding immediately in the next track to strongly contoured & aggressively expressed string figures. The result (of the full set) is ultimately temporal bewilderment — yet also bringing the mind a kind of "reset." I've thus found Aeon to produce a powerful wake, leaving me listening to silence for many minutes.... And the title (from Greek mythology) does contrast with Chronos, the "usual" sense of chronological time (reasserted differently by each chronicle...), whereas Aeon involves the emergence of "time" per se, i.e. the substance on which more mundane chronologies rest. (Note that Rodrigues had already released albums involving music presented out of order, or rearranged electronically according to e.g. cyclical symmetries, so this sort of temporal-sequential interrogation has a history in his output....) "Smallness" consequently opens to a sense of eternity. And one finds oneself asking what just happened.... So Aeon did make a more specific impression than a couple of other recent Rodrigues quartet albums, but ongoing studies of string textures are also appealing to me in general (& that Rodrigues produces so many of these can make it seem more exciting when they appear from elsewhere, although his work certainly remains among the most advanced... & of course the most prolific): Brecht, recorded in November with Dirk Serries & Nuno Torres joining the two Rodrigueses (with no Parrinha on either of these...), is generally taut & multidimensional, bringing an urban-frenetic quality, as well as some romance, to an intricate post-serial interaction (as Serries himself becomes increasingly central...). And before that, presenting even more as a sequence of studies (& absent horn, so via different ensemble shape...) was Chaos (recorded in September) with double bassist João Madeira & percussionist José Oliveira (the latter returning from e.g. Chiaroscuro — also only just recorded in 2022!). So all three (or four) quartet albums feature innovative textural passages, while Aeon also seems to project something ineffable about time & temporality. Todd McComb's Jazz Thoughts

The cosmological concept of the aeon, the conflict between matter and spirit, is explored in eight "Chronicles" of collective free improvisation using impressive technique and concentrative interaction from the Portuguese quartet of Flak on acoustic guitar, Guilherme Rodrigues on cello, Bruno Parrinha on bass clarinet and Ernesto Rodrigues on violin. (Squidco)

credits

released January 18, 2023

Flak - acoustic guitar
Guilherme Rodrigues - cello
Bruno Parrinha - bass clarinet
Ernesto Rodrigues - violin

license

all rights reserved

tags

about

Ernesto Rodrigues image

Ernesto Rodrigues Lisbon, Portugal

Ernesto Rodrigues (Lisbon, August 29th 1959) has been playing the violin / viola for 50 years and in that time has played all genres of music ranging from contemporary music to free jazz and free improvisation, live and in the studio.
The relationship with his instruments is focused in sonic and
textural elements as well as the use of extended techniques. ... more

contact / help

Contact Ernesto Rodrigues

Streaming and
Download help

Redeem code

Report this album or account

If you like Aeon, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Featuring Riley Pinkerton (aka The Rat Queen) from the theatrical NYC rockers, Castle Rat.
listen now