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1.
Way of walking I 10:32
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2.
Way of walking II 15:06
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3.
Way of walking III 08:41
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4.
Way of walking IV 10:57
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about

Recorded by Joel Conde on November 26th 2009, at Tcha Tcha Tcha Studio, Lisbon, Portugal.
Mixed by Simon Proffitt.
Mastered by Ernesto Rodrigues and Carlos Santos.
Graphic design by Carlos Santos.
Production by Ernesto Rodrigues.



Infinite thoughts

painting the human mind



""""|||||||||||..........|||\\\\\\\\||||||_______------

-------------------------



falling leaves

subtle breath



rainny day

love those things anyway



let me look into her eyes



(pause)



on the whole

down goes the temperature



(the viola in my mind?)



or in my life?



(pause)



today i'm become invisible



she floats in the air....



the autumn's robes



if this should be

since feeling comes first



there is a lot of nuance

in my dream



ffffffffffffffffffffffsssssssssssssstttttt!



my one point of rest



(pause)



against the dying of a wish



entering the world and sing myself



a tree alone in a field

knowing the truth of desired things



......................... scratch!



(pause)



another day,

the same affinity



the light seems to be moving



there's nothing left

away from the world



can't waken anything

through the night



... and there's the moon!



::::::::::::::::..............................................\\\\\\\\\\\\\

\\\\\\\\\\||||||||||/////////////////



(pause)



my thoughts

have turned often to you



under the long bridge

and listen all night long



... reminiscences...



in a while...



ssshhhhhhh



(pause)



who could be my lighthouse?



/////////....................__________======___------

----"""""""""""""""""



... I beg the present to the past rewind



it's not every day!



there's nothing left in here



life to me

is just a play...



(pause)



oh! I miss the white nights

where I could open

the window of my vulnerability



prosodic harmonies...



my star shines bright

still walking on the threshold

by the tides of destiny



wednesday morning



my heart joined breathing...

just like that anything could change

because the uproar...

always hurts me



___ ___ __ ____ __ ____ _____ __



people walking around

enveloping the spirit laden shadows



... and suddenly



you



(pause)



............ ::::::::::::::::::::............



00:55 am



the only things real

are the blood on my arms



a cadence more fluid than rhyme



a place of my own



(long pause)



and you

contemplating the lines...

of unlimited



creating

interminable

and sensitive meanings

of your own being



(very soft)



so deep...



so sweet...







you are



Ernesto Rodrigues (Spring 2011)



REVIEWS

Nesta série de lançamentos, “Way of Walking” é a antítese, a reivindicação do estatuto reducionista tal como foi apresentado nos começos. Ernesto e Guilherme Rodrigues contracenam com Karine Décorne e Simon Proffitt para um regresso às coordenadas iniciais desta corrente da improvisação. São mais as passagens não intervencionadas do que aquelas em que escutamos algo, e o que nos entra no ouvido são crepitações, estalidos, roçares. Ser a menos interessante edição deste lote é bastante significativo. Rui Eduardo Paes (Jazz.pt)

A lowercase meeting of strings, objects, microphones and computer between core Creative Sources members Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, and Karne Decorne (objects) and Simon Proffitt (microphones & computer), investigating microsound in four unhurried conversations that include moments of odd interjections, tones, and timbre. (Squidco)

credits

released October 10, 2014

Ernesto Rodrigues - viola
Guilherme Rodrigues - cello
Karine Décorne - objects
Simon Proffitt - microphones, computer

license

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about

Ernesto Rodrigues image

Ernesto Rodrigues Lisbon, Portugal

Ernesto Rodrigues (Lisbon, August 29th 1959) has been playing the violin / viola for 50 years and in that time has played all genres of music ranging from contemporary music to free jazz and free improvisation, live and in the studio.
The relationship with his instruments is focused in sonic and
textural elements as well as the use of extended techniques. ... more

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