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Movement Sounds

by Trio IK*Zs (3)

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1.
Circul'arabe/End'wave 09:39
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2.
Lacy Chord 07:27
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3.
Impruvizus/Ostinatum 08:53
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4.
Density/Circuz 10:34
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5.
Percu/Hold Sequence 08:35
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about

Recorded on April 1995, during II Encontros de Música Improvisada at Palco Oriental Theatre, Lisbon, Portugal.
Recorded by Carlos Bechegas.
Mixed by Joaquim Pedro Jacobetty.
Mastered by Alan Mosley.
Image by Ernesto Rodrigues.
Graphic design by Alexandre Sousa.
Production by Leo Feigin.


[...] As far as my trio IK*Zs (3) is concerned, we do not play freely improvised music. Our method might be called “structured improvisation”, and the trio’s music is in a way an extension of my flute and electronic solo concerts. We usually find ideas for our structures during the rehearsals when we allow ourselves to improvise spontaneously. We record our improvisations and later on we analyse them to take from the most interesting parts. Carlos Bechegas

REVIEWS

Like Robert Dick, Carlos Bechegas has taken the flute into entirely new territories of expression and experimentation. The two concert dates presented here reveal with startling clarity what his acoustic and electro-acoustic environments are capable of creating, in settings both solo and with his phenomenal trio that includes violinist Ernesto Rodrigues and percussionist Jose Oliveria. Both works are delineated as movements or sections, though one suspects this is for the ease of identification on the part of the listener. In the trio work, Bechegas and his group create a structural idea as a framework, a bare-bones skeleton, so to speak, and fill in the boundaries with group improvisation. Bechegas, who seems very comfortable with violin and the myriad percussion, explores not only the limits of the flute's sonorities but uses keyboards, processors, and synthesizers as well, so that his little group appears much bigger than it is. His ability to create sonic terrains for the group to explore is remarkable in that no two sound remotely alike. The interplay between the flute and plucked violin in the middle of the work is particularly satisfying for its demarcation of intervallic counterpoint. [...] Thom Jurek (All Music Guide)

credits

released January 20, 1997

Ernesto Rodrigues - violin
Carlos Bechegas - flute & electronics
José Oliveira - percussion

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Ernesto Rodrigues image

Ernesto Rodrigues Lisbon, Portugal

Ernesto Rodrigues (Lisbon, August 29th 1959) has been playing the violin / viola for 50 years and in that time has played all genres of music ranging from contemporary music to free jazz and free improvisation, live and in the studio.
The relationship with his instruments is focused in sonic and
textural elements as well as the use of extended techniques. ... more

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