← more from
Creative Sources Recordings
We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
/

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €10 EUR  or more

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Maat Mons via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      €13 EUR or more 

     

  • Full Digital Discography

    327
    releases

    Get all 327 Ernesto Rodrigues releases available on Bandcamp and save 50%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Live at Sonic Krause, Cosmic Collision, Xafnikes synantiseis, Whispers and Reveries, Impulses and Signals, Mars Reveri, A tale unfolds, Echoing the Chorus of Life, and 319 more. , and , .

    Purchasable with gift card

      €1,000 EUR or more (50% OFF)

     

1.
Maat Mons 36:28
buy track

about

Live recording by Miguel Azguime on November 19th 2016 during the CreativeFest #10 at O’Culto da Ajuda, Lisbon, Portugal.
Mixed and mastered by Ernesto Rodrigues & Carlos Santos.
Graphic design by Carlos Santos.
Production by Ernesto Rodrigues.

REVIEWS

As always, the geometry is of the n-dimensional sort. The number of dimensions that vary is impressive: membership, instrumentation, location, duration, and so on. Certainly, the overall shape of each VGO performance is highly variable, like a murmuration of birds, as I alluded to in a review of the earlier Lulu Auf dem Berg. VGO remains a compelling attempt to harness the timbral and dynamic range of an orchestra while maintaining the flexibility in structure and individual freedoms afforded by improvisation. Maat Mons is scaled back from the enormous undertaking of Quasar, released earlier in 2016 and featuring the largest group on record to date, with 46 members. The 21 musicians on Maat Mons are less than half that number, but as with all VGO performances, a mere head count reveals little about the direction the music will take.
The piece rouses slowly, maintaining a low volume and a jittery, charged air of possibility as small groups of players make exploratory advances. But soon Rodrigues changes tack, and Maat Mons harkens back to the bigger free jazz-inspired sound of the group’s earliest recordings, as tapping cymbals and an animated bass line sketch out a shaky groove and the horns begin to raise their voices. As the music becomes more dynamic, illusions of figure and ground emerge in the unplaceable, shuffling timbre of nearly two dozen musicians. The listener is moved through the space in which the musicians are performing, one instrument momentarily the focal point, only to be subsumed in the din and the focus shifted to someone else, the foreground and background in constant flux. Three-quarters through the performance, the music drops to near silence, irregular dribbles of piano over a canvass of radio static and Maria Radich’s sibilant whispers. Dan Sorrells (The Free Jazz Collective)

Com uma VGO de 21 elementos, “Maat Mons” mostra-nos como o formato orquestral oferece, a uma abordagem regida pela liberdade e pela espontaneidade, múltiplas possibilidades ao nível das dinâmicas e do timbre. O registo é abstracto e textural, como em anteriores discos da formação, mas a emergência de figuras rítmicas e melódicas, ainda que breves ou transfiguradas, introduz nas tramas uma influência do free jazz que se tem tornado cada vez mais evidente na música recente de Rodrigues. Um ou vários instrumentos vão ganhando relevância no caudal sonoro, para logo mergulharem no todo e darem lugar a outros, dando-nos a impressão de que o que está atrás toma a dianteira ou o que acontecia à boca de cena se retira para o fundo, num vai e vem que não só anula a ideia de solo e acompanhamento como interfere com a geral movimentação em fluxo. Dois membros do ensemble prendem-nos, no entanto, a atenção, pois o que fazem vai definindo os contornos das formas em metamorfose: o pianista Manuel Guimarães e a vocalista Maria Radich. Rui Eduardo Paes (Jazz.pt)

credits

released November 19, 2016

Ernesto Rodrigues - stroh violin & conduction
Maria Do Mar - violin
Miguel Mira - cello
João Madeira - double bass
Abdul Moimême - classical guitar & clarinet
Andre Hencleeday - tenor psalterium & radio
Maria Radich - voice
Tiago Varela - melodica
Paulo Curado - flute
Nuno Torres - alto saxophone
José Lencastre - alto saxophone
Bruno Parrinha - clarinet & alto clarinet
Paulo Galão - bass clarinet
Guillermo Torres - pocket trumpet
Eduardo Chagas - trombone
Vítor Rua - electric guitar
Manuel Guimarães - piano
Carlos Santos - synthesizer
Nuno Moita - turntables
Monsieur Trinité - percussion
Pedro Santo - percussion

license

all rights reserved

tags

about

Ernesto Rodrigues image

Ernesto Rodrigues Lisbon, Portugal

Ernesto Rodrigues (Lisbon, August 29th 1959) has been playing the violin / viola for 50 years and in that time has played all genres of music ranging from contemporary music to free jazz and free improvisation, live and in the studio.
The relationship with his instruments is focused in sonic and
textural elements as well as the use of extended techniques. ... more

contact / help

Contact Ernesto Rodrigues

Streaming and
Download help

Redeem code

Report this album or account

If you like Maat Mons, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Beans joins the show to discuss his album release, "ZWAARD".

listen now