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Jadis la pluie était bleue

by Suspensão

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David Morrissey
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  • Full Digital Discography

    328
    releases

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Free to Open, Live at Sonic Krause, Cosmic Collision, Xafnikes synantiseis, Whispers and Reveries, Impulses and Signals, Mars Reveri, A tale unfolds, and 320 more. , and , .

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1.
Suspensão V 27:02
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2.
Suspensão VI 19:52
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3.
Suspensão VII 09:17
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4.
Suspensão VIII 11:47
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about

Recorded by Joaquim Monte on February 18th 2015 at Namouche Studio, Lisbon.
Mixed and mastered by Ernesto Rodrigues & Carlos Santos.
Cover photo by Clara Cymbron.
Graphic design by Carlos Santos.
Production by Ernesto Rodrigues.

REVIEWS

[…] Vai na mesma direcção o CD “Jadis la Pluie Était Bleue”, segundo tomo do colectivo Suspensão. E no entanto, se o IKB Ensemble é, sobretudo, pontilhístico, neste disco encontramos alguma inclinação para os “drones”, incidindo nas formas com que se pode iludir musicalmente o tempo. Além disso, sendo a dimensão dos eventos sonoros liliputiana, há um frenesim de actividade. Toca-se muito (pela associação de todas as contribuições) com pouco (o que cada um fornece para o todo). Rui Eduardo Paes (Jazz.pt)

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways. (Squidco)

credits

released January 1, 2015

Ernesto Rodrigues - viola
Guilherme Rodrigues - cello
Miguel Mira - double bass
Nuno Torres - alto saxophone
Eduardo Chagas - trombone
Rodrigo Pinheiro - piano
António Chaparreiro - electric guitar
Carlos Santos - computer
José Oliveira - percussion

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Ernesto Rodrigues Lisbon, Portugal

Ernesto Rodrigues (Lisbon, August 29th 1959) has been playing the violin / viola for 50 years and in that time has played all genres of music ranging from contemporary music to free jazz and free improvisation, live and in the studio.
The relationship with his instruments is focused in sonic and
textural elements as well as the use of extended techniques. ... more

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