Recorded on June 23rd 2019 by Joaquim Monte at Namouche Studio, Lisbon.
Mix & master by Carlos Santos & Ernesto Rodrigues.
Photo by Benjamin Denzler.
Graphic design by Carlos Santos.
Production by Ernesto Rodrigues.
REVIEWS
An exquisite and mysterious album of free improvisation merging acoustic and subtle electroacoustic elements, from the trio of Bertrand Denzler on tenor saxophone, Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar & objects, recording in the studio for this extensive work in four parts that transitions between moments of transfixing sound and cautious motion. Squidco
"Immobility and Movement" has a similar concept: it is a trio with Ernesto and Abdul "supporting" a tenor saxophonist, Bertrand Dentzler. It is indeed to some extend
true, but the album is in fact more balanced: the contributions of the tenor, the viola and the electric guitar are on equal footing. In this sense the music is more globally organizing soundscapes and the end effect is more novel and exploratory: a XXIst century free improvised John Cage/Giacinto Scelsi music... Maciej Lewenstein
The use of speech to outline unorthodox acoustic processes has turned into an authentic constraint for this writer. As decades pass through recordings and performances that capitalize on the less explicit attributes of timbre, one grows an immediate awareness of implications that remain unique depending on the subject's susceptibility. In practice, certain sounds provide answers to questions that were never really asked because, to some extent, we had guessed that the primary universal laws revolve around the varying vibrational combinations of matter.
What's truly useful to say to someone who might not detect what you just detected? One must be prepared for something that is there in evidence, but which many refuse to acknowledge. However, those who are into substance simply keep probing the ground (or rather, the air), using an instrument for emissions that disclose the presence of a pulsating core. Bertrand Denzler (tenor sax), Ernesto Rodrigues (viola) and Abdul Moimême (electric guitar and objects) belong in this field of instrumental connection. What they engendered here is a spirit>body>sound cascade that yielded results worthy of profound respect.
Aided by the very title we identify a consistency with what happens at various levels of interplay, including the focus of the involved parties. We clearly envision the immense potential that simmers within the human envelope, while also noticing the oscillation of dynamics from near-zero to serendipitous intensities. What the three manage to elaborate when their telepathic conjunction occurs is nothing short of remarkable. This improvisation comprises countless hints of intuitive comprehension, embellished by nuances of resonance sometimes inscrutable, elsewhere absolutely transparent. Music of subtle conflicts disseminated across a beautiful togetherness, explicating a modicum of knowledge as the freedom of spontaneousness is left to those who hate finely articulated platitudes.
The painful realization that it is impossible to express and do much more than time allows often causes a stasis of action. This stagnation may save precious mental energies, yet it is still dangerous, as it can lead to a lengthy standstill of the entire system. Restoring the fighting stance, in that case, is an arduous task. In such challenging moments for the maintenance of the inner balance, an album like Immobility And Movement is a small lifesaver. It needs tranquility, but it stimulates activity. Massimo Ricci (The Squid’s Ear)
credits
released September 29, 2020
Bertrand Denzler - tenor saxophone
Ernesto Rodrigues - viola
Abdul Moimême - electric guitar & objects
Ernesto Rodrigues (Lisbon, August 29th 1959) has been playing the violin / viola for 50 years and in that time has played
all genres of music ranging from contemporary music to free jazz and free improvisation, live and in the studio.
The relationship with his instruments is focused in sonic and
textural elements as well as the use of extended techniques....more
supported by 9 fans who also own “Immobility and Movement”
I really appreciate that with such a large group of musicians the overall sound and experience of listening is really spacious, never cluttered. The lovely recording helps that a lot, and of course the compositional aspects that make it breathe are superb- it gets more and more fun as I listen again and again. Jasper Skydecker
The seven tracks on this riveting LP offer a melodic take on experimental music, at times approaching post-rock grandeur. Bandcamp New & Notable Apr 27, 2020
The Australian instrumental band juxtapose classical pianos and ambient swells with uncompromising, proggy post-metal. Bandcamp New & Notable Aug 9, 2023
Prepare to have your mind melted by these 14 guitar-noise compositions featuring distortion-drenched riffs arranged in hypnotic patterns. Bandcamp New & Notable Apr 24, 2023
supported by 9 fans who also own “Immobility and Movement”
Damon I met after moving from Seattle to San Francisco and after producing and hosting the Outer Limits radio program and as well forming an improvising unit ...Kagel... including two acoustic basses. Damon was very kind a gracious. I was fortunate to see Wolfgang Fuchs along side of one of my favorite, let’s say, local musicians. I felt the only replacement after Matt Speary’s death, the second bassist w/ ...Kagel..., was Mr. Smith. And I’m sure I would have been correct in my choice. Che James Wood